我的創作始於對自由的追尋。從具象到抽象、從平面到立體、從作品到空間，我不斷離開既定形式，讓色彩、材料與生命經驗在未知中相遇。對我而言，存在不是固定的狀態；變化也不是對存在的破壞。存在正是在持續變化之中，顯現它無限延續的可能。

 

我逐漸發現，作品完成並不是結束，而是另一個開始。

 

透明壓克力讓色彩投射到牆面，鏡面把觀者與環境帶入作品，雕塑則在身體的移動中改變觀看。當光、材料、空間、能量與人彼此作用時，作品不再只是物件，而成為一個持續生成的場。台東與都蘭的海洋、山脈、曙光、風土與多元文化，使我更深刻地感受到島嶼並非封閉的邊界，而是流動與相遇的所在。「自由生成美學」便從這些長年的創作與生活中逐漸浮現：自由，是向未知開放；生成，是在關係中持續發生；美學，則從完成的形式轉向生命正在發生的現場。

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My practice began with a search for freedom. Moving from figuration to abstraction, from the pictorial plane to three-dimensional form, and from the artwork to space, I have continually stepped beyond established forms, allowing color, material, and lived experience to meet within the unknown. For me, being is not a fixed state, and transformation is not the destruction of being. Being reveals its infinite continuity precisely through change.

 

Over time, I came to understand that the completion of a work is not an ending, but another beginning.

 

Transparent acrylic projects color onto the wall; mirrored surfaces draw the viewer and the environment into the work; sculpture changes as the body moves around it. When light, material, space, energy, and people act upon one another, the work is no longer merely an object. It becomes a field in continuous formation.The ocean, mountains, dawn light, local environment, and diverse cultures of Taitung and Dulan have deepened my sense that an island is not a closed boundary, but a place of movement and encounter. The Aesthetics of Free Becoming has gradually emerged from these decades of art and life: freedom is openness to the unknown; becoming unfolds continuously through relationships; and aesthetics shifts from completed form toward the living site of emergence.