精選作品 Selected Works
賴純純的創作跨越繪畫、雕塑、裝置與公共藝術，始終圍繞生命、自由、空間及關係的持續變化。
本區不依媒材劃分作品，而以「存在與變化」、「心與生命」、「奇異仙境」及「島嶼・海洋・光」四個相互連結的主題，呈現藝術家從內在精神、身體感知，逐步走向公共空間、自然環境與生成場域的創作歷程。
Jun T. Lai's practice spans painting, sculpture, installation, and public art, while continually exploring life, freedom, space, and transformation through relationships.
Rather than organizing the works by medium, this selection unfolds through four interconnected themes—Being and Transformation, Heart and Life, Wonderland, and Island, Ocean, and Light—tracing the artist's journey from inner experience and bodily perception toward public space, the natural environment, and the artwork as a generative field.
「存在與變化」是賴純純自1980年代以來持續發展的核心命題。存在並非固定不變的狀態，而是在時間、材料、色彩與空間的流動中不斷延續。作品由平面走向立體與場域，使觀看成為感受變化、重新理解存在的過程。
Being and Transformation has been a central inquiry in Jun T. Lai's practice since the 1980s. Being is understood not as a fixed state, but as something continuously unfolding through time, material, color, and space. As the work moves from the pictorial plane into three-dimensional and spatial experience, viewing becomes a process of encountering change and reconsidering what it means to be.
「心與生命」從身體、精神與內在感知出發，探問生命如何在內外、虛實與關係之間流動。《心房》《心器》《心田、心土》等作品，將心視為承載記憶、能量與精神的容器，也使個人的內在經驗向他者與空間開放。
Heart and Life begins with the body, the spirit, and inner perception, asking how life moves between interior and exterior, presence and absence, self and relationship. Works such as Heart Chamber, Heart Vessel, and Heart Field, Heart Earth approach the heart as a vessel of memory, energy, and spirit, opening intimate experience toward others and the surrounding space.
自2000年起，「奇異仙境」以花朵、色彩、光與遊戲性的造形，展開對自由、希望與生命力的想像。作品從展覽空間延伸至城市、交通、校園與戶外水域，使藝術進入日常生活，並在觀者的移動與參與中形成開放而多變的公共風景。
Since 2000, Wonderland has brought together flowers, color, light, and playful forms to imagine freedom, hope, and vitality. Extending from exhibition spaces into cities, transit sites, campuses, and bodies of water, these works enter everyday life and become open, changing public landscapes through the movement and participation of viewers.
2007年進入都蘭生活後，島嶼、海洋、黑潮、曙光、風與南島文化逐漸成為創作的重要能量。作品不再只是獨立物件，而是在光、環境、時間、身體與觀者之間持續發生的場，呈現島嶼作為流動、相遇與生成之地的感受。
After Jun T. Lai began living and working in Dulan in 2007, the island, ocean, Kuroshio Current, dawn light, wind, and Austronesian cultures became vital forces within her practice. The work is no longer conceived as an autonomous object, but as a field continually unfolding among light, environment, time, the body, and the viewer—revealing the island as a place of movement, encounter, and becoming.